By Chandrasekaran Shreya (24S06A)
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Technical musings: parallels in visual and verbal narratives
This, without a doubt, is one of my favourite techniques in filmmaking: where intentional, deliberate cinematographic choices are made to drive the narrative forward, complementing the story’s verbally-driven narrative.
When Hae Sung and Nora meet in person for the first time, they walk to the bay area, overlooking a sea. Surrounding them are many duos–except, they’re not just duos, they’re couples. To the unassuming eye, one might assume Hae Sung and Nora, too, to be a couple, blending in with the crowd. But that’s merely wishful thinking, a what-could-have-been more fitting for, perhaps, another lifetime of theirs. In this life, they are simply two distant friends.
Continue reading ““Past Lives”: Reminiscences on being human–in motion, and in love (Part 3)”




