Raffles Reviews

Okay, but was it really how Nolan intended it?

Reading Time: 5 minutes

By Prajna Girish (27S06O)

Cinema seats have rarely been snatched as quickly as they did for Christopher Nolan’s highly anticipated 2026 project–The Odyssey. I remember sitting at my desk, debating the merits of watching the smash-hit that had grossed $124 million in its opening weekend and 94% on Rotten Tomatoes, on IMAX, apparently “the way it was filmed to be seen”– though prices were upwards of twice a typical ticket. Ultimately, protecting my wallet won out, but after reading the original Epic by Homer, I had to see for myself if the adaptation lived up to the hype. For anyone facing the dilemma, here’s a spoiler-light look at whether it’s worth the watch–and which way it’s best experienced.

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This Is Where I Won’t Be Alone: On Home and Belonging

Reading Time: 7 minutes

By Janelle See Jia Xin (27A01D)

I always found National Day to be an enigmatic event. Every August, the whole of Singapore is decked out in red and white. In schools, we’d revisit the same old stories of Singapore’s long journey to independence and how we should take pride in being Singaporeans. However, all this time, I never really stopped to ask myself what it meant to ‘belong’.

THIS IS HOME, TRULY

It was just another school weekday, only made less mundane by our mandatory EL Week ‘reading session’ in the library. While browsing, I chanced upon a book tucked in the corner: This Is Where I Won’t Be Alone, a SingLit collection of short stories whose title explicitly references a lyric from the famous 1998 National Day song Home by Kit Chan. I didn’t expect to get hooked on it for the next hour or so, and found myself reluctantly parting ways with it at the end of the session.

Fate must have tied me to this book. A year later, the author herself, Ms Inez Tan, came down to RI to give an inspiring talk about intention versus objective to the Humanities Programme students. My curiosity renewed, I dug up and finished her book in one sitting. Upon which, I realised how local stories like hers truly seek to explore the boundaries of home and belonging. Here is why Tan’s collection is the perfect place to start reading SingLit. 

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A Girl, She is 100%

Reading Time: 3 minutes

By Sonia Chang (26A01A)

One bright November morning, a man passes a woman on a narrow street and instantly recognises, with inexplicable certainty, that she was 100% him. They exchange no words, they walk on. Yet in those shy seconds, she had lain on his looking and longing. On that Harajuku street corner, love passed them by. 

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The Worst Film Review in the World

Reading Time: 7 minutes

By Sonia Chang (26A01A) 

(Spoilers: I would say there are worse people.) 

Across twelve chapters, The Worst Person in the World traces our protagonist, Julie, drifting through her late twenties and early thirties in Oslo as she hits the dead-end of dream after dream – moving restlessly through careers, lovers, and versions of herself. Directed by Joachim Trier, this film is both a buoyant romcom and a millennial Bildungsroman, as airy and effervescent as it is existential. 

Trier tells Julie’s story like a novel: in twelve chapters with a prologue and epilogue that follows her across distinct phases. On some level, this imposes a sense of order onto the whirlwind of Julie’s life. Yet some chapters span years, while others a single night. Time is not linear but contracts and dilates under emotional experiences. And this formal instability extends further to scenes where even reality unravels. The psychedelic sequence, in particular, disrupts the film’s otherwise naturalistic texture, wherein Julie’s consciousness and unconsciousness spill out onto the screen.

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Project Hail Mary: A Ship Full of Grace

Reading Time: 4 minutes

By Irene Eva Thomas (26A01B)

Warning: Contains spoilers.

Set in the context of decades of cynical and complex sci-fi films, Project Hail Mary, based on Andy Weir’s novel of the same title, had two choices: to align with or stand in opposition to this canon. The stakes were high for directors Phil Lord and Chris Miller—they were faced with expectations from fans of Weir’s novel and the self-proclaimed ‘sci-fi connoisseurs’, those who hail (pun not intended) the likes of Interstellar and Alien

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