By Lerraine Neo (26A01A) and Koh Shin Robbie (26A01A)
The Singapore Chinese Orchestra concert hall, RICO’s chosen venue for this year’s ArtSeason concert, has a maximum capacity of 750 people. That’s by no means a small number; 750 hours is about a month’s time, $750 can buy 150 McDonald’s value meals, and 750 metres is only 78 metres short of the Burj Khalifa, the tallest building in the world.
It takes a certain confidence to book such a large external venue. To believe in the support of your friends, the effectiveness of your publicity materials, your own ability to draw crowds and sell tickets. RICO’s confidence did not stop at the size of their concert hall—their setlist, consisting of duets, solo concertos, medleys and ensembles on top of the usual orchestral pieces, posed challenges in both logistics and performers’ skill.
All this from an orchestra which—until as late as March—was struggling to recruit enough members to pad out their ranks. Where, then, had they gotten the confidence to plan such an ambitious concert?
Continue reading “A House, Full: The Odyssey 2026”





