Op-Eds

Filmhouse, The Projector, and the Struggle of Staying Indie

Reading Time: 6 minutes

By Nithilan Balachander (26A01C)

At about noon on 19 August 2025, long-time cinephiles, arts scene enthusiasts, and performative (fe)males alike started discovering, devastatingly, that The Projector was closing down. Actually, it wasn’t even “closing down”— it already had, they were just announcing it. The only cinema in Singapore dedicated to indie film was in so much debt that it had to enter liquidation, and had to do it so suddenly that it could not even announce it in advance. 

On 12 January 2026, the Straits Times reported that a new cinema called “Filmhouse” was to take over the space, and on 3 February 2026, Filmhouse started screenings, retaining many of the personnel and a lot of the interior furnishings from The Projector. Everyone rejoiced, some reposted the Straits Times/Mothership/CNA Instagram post, and a few even went to watch a movie or two…

But, wait. That’s really all it took? 5 months and 15 days, and indie cinema in Singapore was saved?

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Why is 2016 Back?

Reading Time: 7 minutes

By: Gladys Koh (26A01B)

“We Ain’t Ever Getting Older” 

Now playing: Closer – The Chainsmokers ft. Halsey

Palm trees are swaying. The sky is a vibrant purple-pink. The Chainsmokers’ latest hit crackles through the radio. 

You have just entered Primary School. You and your friends sit in a circle, making Rainbow Looms. Fidget spinners lay beside. A parent heads over to take a picture for your group, and all of you dab simultaneously without saying a word.  

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Lessons from a L****

Reading Time: 11 minutes

By Cherie Khoo (26S03B)

Foreword

This is meant for anyone who has ever lost something, or lost at something, before. 

That is to say, it is for everyone. 

But most especially for teachers, the best of whom have never given up on their students. To any who may be reading this, I hope it gives both you and your students greater conviction in possessing the ability to succeed (in any form).

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Shame Must Change Sides

Reading Time: 4 minutes

By Gladys Koh Wei Le (26A01B)

Each era has found a novel way to humiliate women while insisting it is merely following the rules of its time. Such violence does not always announce itself. More often, it cloaks itself under procedure, in laughter — plausibly deniable systems. Today, it arrives, wearing the face of technology. The tools evolve, but the underlying logic remains brutally consistent: that women are rendered available for judgement and dehumanisation.

Recently, the comment sections of women and minors on X have been awash with requests such as “@Grok, undress this woman” and “@Grok, put her in a bikini”. In scenes that have since drawn international outrage, the AI heeded those requests. Within seconds, it fabricated sexualised images, posted publicly on X for the world to see. 

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What Does It Mean to Remember Nanjing?

Reading Time: 7 minutes

By Jaden Lum (26S05A)

December 13, 1937 
Nanjing, China
Morning

Just five months into the Second Sino-Japanese War, and China’s capital has already fallen.

Alas, as Japanese forces march in, roughly a quarter of Nanjing’s one million residents remain. Many are terrified civilians who simply could not flee in time. Women. Children. The elderly. Non-combatants who prayed that the worst of the fighting was now perhaps over. After all, soldiers were supposed to kill soldiers, not civilians—not them

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