Commentary

Becoming Bishan: Heritage Exhibition

Reading Time: 4 minutes

This article and its photographs was first written by the organisers of Becoming Bishan, and was first published at Bukit Brown’s website

What is Bishan? A concrete jungle of million-dollar HDB flats? The futuristic, award-winning architecture of SkyHabitat and Bishan Library? Or even the bustling activity of Junction 8? These are the conventional perceptions of the young, vibrant town of Bishan – an ex-cemetery transformed into a heartland showpiece.

Our team, however, felt that there just had to be more to this rising area. Whether we were lifelong residents of the district or saw it as a mere part of our daily commute to school, we became increasingly curious about how this place came to be. Why was there even a cemetery in Bishan in the first place? Did people live in Bishan before the HDB flats were built? What was Bishan’s place in the Singapore Story?

Driven by overwhelming curiosity, we, in conjunction with the Raffles Archives and Museum, embarked upon the Becoming Bishan Project, hoping that the outcomes of our research would be able to provide a poignant contribution to our country’s jubilee celebrations.

Our first step was to analyse the development of Bishan through maps. One of our members, Yilun, is an avid map enthusiast with an especial interest in urban redevelopment. With gusto, he surfaced many old maps of the area, the oldest dating back to 1924.  Through painstaking effort, he managed to highlight the stark changes in the landscape of the area, as well as match old landmarks of the area to more familiar present-day ones. The topographical studies revealed many details about the geography of the Bishan area. Today, the land that makes up Bishan is rather flat. However, the contours of old maps suggest that pre-redevelopment, Bishan was covered by rolling hills. Many photographs also show the grave-covered hills with the HDB flats of  Toa Payoh in the background. This explains the how the name “Bishan” (“Jade Hills” in Mandarin) came about. One of our interviewees even compared the view from a Toa Payoh flat to a green dragon, because of the undulating hills and the scale-like tombs on them.

The highlight is a series of maps of Bishan tracing the landscape of changes from 1924 to the present .
The highlight is a series of maps of Bishan tracing the landscape of changes from 1924 to the present .

There were several kampongs within the cemetery, the most notable one being Kampong San Teng, whose kampong association members still meet regularly today. Interviews with the old residents revealed a rather self-sufficient community, with a school, farms, a teahouse and a market. There was also a cinema, Nam Kok cinema, in the Bishan area that screened Chinese and Western films. A worker in the KPT coffee shop in Bishan North told us of how he used to work there, proudly showing us his old posters of Elvis Presley and actors from Hong Kong. But when we asked about people’s impressions of Bishan before redevelopment, the greatest fears were not ghosts and spirits, but secret society activity.

We also made several exciting discoveries along our research journey. One was that Bishan was once a World War II battlesite! Jon Cooper, who also runs the Bukit Brown battlefield tours, managed to surface the battalion diaries and hand-drawn maps of the Second Cambridgeshire Regiment. These documented the action at Braddell Road in the dying days of the Battle for Singapore (1942).  Further research revealed that the battle positions occupied by the British troops are the present-day locations of Junction 8 shopping mall,  Bishan Library and Raffles Institution. This story was corroborated by many residents, who recalled the sounds of gunfire through the rolling hills of Bishan. Another revelation we made was that the philanthropist Wong Ah Fook was once buried in the Peck San Theng cemetery and his ashes now lie in the columbarium, something that even those running the columbarium had been unaware of.

A RI volunteer explaining the WW2 history of Bishan.
A RI volunteer explaining the WW2 history of Bishan.

Along the way, our team has also met and befriended many diverse characters, who each have their own personal stake in Bishan. From the intriguing Mr. Molay, a Cantonese-speaking Indian man whose father once owned a hundred cows in Bishan, to the unabashed Mr. Loh, who once ate human flesh to survive the deprivation of the Japanese Occupation, it is the stories of these people who make the Bishan Story come alive. We thoroughly enjoyed the opportunity to talk to these individuals and learn more about the almost-foreign land that is the past. Later, we also spoke to current residents who told us about their thoughts and memories about this place. Though it is hard to say that the HDB dwellers of today have the same community spirit as kampong residents did, it was interesting to note how people develop, or fail to develop, attachments to Bishan.

Visitors to the exhibition have a chance to listen in on their memories of Bishan as a cemetery and its social community life then.
Visitors to the exhibition have a chance to listen in on their memories of Bishan as a cemetery and its social community life then.

We feel immensely privileged to have had the experience of exploring Bishan’s story and curating this exhibition, and hope that you might find meaning of your own in our fruits of labour and love.

Becoming Bishan Exhbition now at Bishan Library.
The Becoming Bishan Exhbition now at Bishan Library.

 

The Becoming Bishan exhibition will be officially launched on 11 July (Saturday), from 9 am – 12 noon, at the Bishan Community Library. This event will be graced by Senior Minister of State Josephine Teo. The exhibition will run at the Bishan Community Library from 1 July to 23 August, Ang Mo Kio Public Library from 24 August to 30 September and Toa Payoh Public Library from 1 to 31 October.

 

 

Becoming Bishan: Becoming One With Heritage

Reading Time: 5 minutes

By Celine Ng (16A01A), Choo Shuen Ming (16A01E)

Drop on by – it’s well worth the time!
Drop on by – it’s well worth the time!

Becoming Bishan is a project aiming to explore the history of Bishan, and currently they are holding an exhibition at Bishan Library till 23rd August,  at Ang Mo Kio Library from 24th August to 30th September, and at Toa Payoh Library till 31st October. It was started by a team of current and former Rafflesians, and completed with the help of many parties (listed below). The project was kickstarted last April, when a group of seniors researching on Bishan for a photobook came across a treasure trove of stories, that they felt ought to be shared. This led them to create Becoming Bishan, with their investigation into Bishan’s history culminating in a booklet, a walk held earlier this May, and this exhibition. Their booklet is a comprehensive and accessible account of Bishan’s history, with archival photographs, personal accounts and even a 2-page map overlay showing the Bishan area then and now, which we found incredibly interesting:

A translucent map of today’s Bishan overlaid on a map of the very same area in 1945 – a simple yet fascinating and clear way of seeing how the place has changed.
A translucent map of today’s Bishan overlaid on a map of the very same area in 1945 – a simple yet fascinating and clear way of seeing how the place has changed.

Regarding the Project’s Jane’s Walk: Jane’s Walks are held worldwide every May, and are led by a member of a community, with the aim of not just touring an area, but also encouraging discussion and sharing amongst participants during the walk. Their walk attracted a diverse range of people, including some current and former Bishan residents. For all involved the walk proved fruitful, with lively discussion about topics ranging from redevelopment to community spirit, ultimately making for a meaningful experience.

Carefully built dioramas of places that once stood in  Kampong San Teng, along with displays to watch clips of interviews with former kampong residents.
Carefully built dioramas of places that once stood in Kampong San Teng, along with displays to watch clips of interviews with former kampong residents.

They have an exhibition up which comprises of intricate dioramas of some everyday scenes and places in Kampong San Teng (once a happening kampong beside the old Peck San Theng cemetery in Bishan), videos featuring interviews with former residents, and panels that delve into Bishan’s history, with photographs and fascinating personal accounts from former residents. These panels are arrayed around some actual artefacts from that time, with impressive pieces including actual WWII uniforms, and a preserved sample of the Seven Sister’s plants that used to be grown in Kampong San Teng. It’s a short exhibit, taking about 15 minutes to complete, but it succeeds in capturing Bishan’s colourful and fascinating past, making those 15 minutes entirely worthwhile.

The exhibition’s cosy layout.
The exhibition’s cosy layout.

One key feature of the exhibition worthy of notice is its commitment to creating a full and accessible picture of Bishan’s history. The exhibition boards cover a fairly comprehensive spectrum of topics, from life in Peck San Theng Cemetery and Kampong San Teng to a short history of the battle at Peck San Theng which occurred during the Second World War. Weaving historical details with personal anecdotes, they were helpful in articulating the significance of these places while making them oddly human and relatable. Fascinating to learn, for instance, was the knowledge that at different points in time Peck San Theng Cemetery was home to settlers seeking to hide from Japanese soldiers in World War II.

One of the many quotes and stories shared on the exhibition panels.
One of the many quotes and stories shared on the exhibition panels.

Next to the information presented on the panels were quotes from previous residents of Kampong San Teng. Ultimately the anecdotes featured are stories that tell us about how life then was like– as recounted by former residents in the area who would reminisce about how as children they would sneakily catch movies for free by peeking through the cloths surrounding the cinema; or even our principal Mr Chan Poh Meng sharing his memories of how as a family, they would visit Peck San Theng to pay respects to their ancestors. All these first-hand accounts make for real, relatable glimpses into that past time. Hearing from ex-residents themselves through quotes and interview clips, and seeing the past through the photographs closes the gap between past and present. This exhibition gives rise to an odd feeling of nostalgia almost,  and presents one with an impactful, poignant look at a now bygone era. Some of the stories also surprise – who would’ve thought that the same Bishan that today has shopping, schools and a library was once the site of a fierce battle, or that it once held a huge cemetery, and one where gangs operated at that? Such stories and small glimpses add colour to the black-and-white pictures we so often associate with the past. This exhibition instead adds texture and depth, painting for us a more detailed picture of what and who came before us, how life was lived then.

Actual old photographs and artefacts from the time, including a Seven Sisters plant specimen.
Actual old photographs and artefacts from the time, including a Seven Sisters plant specimen.

On the whole, the exhibition made a point of making systematic comparisons to present day Bishan, allowing for a clear narrative of the area’s transformation over time. The most obvious testament to the clarity of this narrative is the carefully designed overlay map which allows one to physically superimpose a map from 2015 over one from 1945, but it is also worth noting the exhibition’s attention to the littlest details. One board, for instance (dedicated to interesting facts about Bishan), told the story of how the name ‘Junction 8’ was derived from Bishan train station’s original station code, N8. These subtle quips of the little-known history behind present-day features of Bishan, that can be easily identified with, played a crucial role in making the exhibition intensely relevant even to those more ignorant of Bishan’s history.

The overlay map, in all its intricate glory and cool awesomeness.
The overlay map, in all its intricate glory and cool awesomeness.

Becoming Bishan is a fascinating and lovingly crafted exhibit that allows for an informative and entertaining experience. Lovely aesthetics and comprehensive research aside, perhaps what struck us most was its ability to tell a truly lovely story about Bishan and its transformations over time. Subtly poignant and deeply thought-provoking, Becoming Bishan is an exhibit well worth visiting with a friend.

Locations and dates of the Exhibition:
1st July – 23rd Aug:  Bishan Library
24th Aug – 30th Sep: AMK Library
1st Oct – 31st Oct: Toa Payoh Library

The Organising Team:
Calvin Teo (08S06D)
Leong Yee Ting (14A01C)
Ying Yilun (14A01C)
Ng Qi Siang (14A01C)
Carol Yuen (14A01A)
Wong Kwang Lin (14A01E)
Edgar Yeo (14S03P)
Lazarus Chok (14S03P)
Andrea Ang (14S03P)
Kuek Jiayao (14S03R)
Estee Faith Leong (15A01E)

MRT Breakdown: Stranded and Singaporean

Reading Time: 4 minutes

By Justin Lim (16A01B)

On the 7th of July 2015, both the North-South and East-West MRT lines broke down due to a power fault. I should’ve expected something was about to happen when I boarded a train where the lights were oddly out at 7:30PM, but at the time the mood lighting merely seemed like a funny defect.

Continue reading “MRT Breakdown: Stranded and Singaporean”

Of Contracts and Cards: Bridging the Gap

Reading Time: 3 minutes

By Louisa Li (16A13A)
Additional reporting by Teo Xue Heng (15S06C)

Hidden behind a veil of confounding and ridiculous sounding terminology (ruff, dummy) is the complex world of Contract Bridge: a realm where only the bravest dare enter, and where only the fittest survive. Over the June holidays, Raffles Bridge sent 2 teams to prove their mettle in the annual Hunger Games, or rather, the National Inter-Schools Bridge Tournament. They engaged in 2 grueling days of intense competition, fought endlessly from 9 in the morning to 7 at night, and eventually emerged from the fray with commendable results- as Champions.

The 2 RI teams consisting of 12 members in total duelled with the other 6 teams in double round robin matches. In an effort to amass Victory Points (20 points per round) to gain an upper hand over their competitors, RI pitted 4 members each round against their opponents, facing fierce competition especially from That Chinese School Near Bukit Timah Road, which sent 3 of the 7 participating teams. To win the tournament, RI had to match their results and beat them head-on as well.

However, it was not a smooth-sailing journey. After a horrifically unexpected 2-18 destruction by VJC in just the second match of the day, RI Team 1 (RI1) bounced back to beat HC Team 1 (HC1) 20-0. RI2, trailing close behind leaders HC1 performed stunningly well after two defeats by winning all the other matches on the first day, including a brilliant 20-0 win over VJC. Cheng Xingyu (16S06M) and Shi Jing Lin (16S06J) in particular played especially well as a partnership to bring in VPs. By the end of the first day, RI2 had propped themselves up to a comfortable 2nd place, trailing HC1 by a mere 4 points. As Bridge Chairperson Teo Xue Heng (15S06C) shared, “both RI teams performed beyond their expectations, except in different ways… so there were mixed feelings going into the second day playing a ‘catchup game’”.

It is with those feelings of trepidation and anticipation that the 2 RI teams went into the second day, and the tables were turned this time. RI1 got off to a very strong start with 20-0 wins over RI2, HC2 and HC3 and 16-4 win against NUSH, but HC1 played just as strongly and the VP difference still remained at about 5 VP before lunch. The turning point came when HC1 lost to RI2 6-14, allowing RI1 to overtake HC1 by 5 VP. The slim lead was maintained until the final game where RI1 had to play HC1 head on. HC1 had to win by at least 5 imps to clinch the championship title, and as an insider shared, “4 imps is almost a non-existent cushion… the scores were dangerously close.” And it did seem like the tides were turning. HC1 slowly built up a 12 imp lead, and all hope was almost lost – until Wang Tingxuan (15S06L) made a 3NT on the final board of the entire tournament to score RI1 10 imps. Despite HC1 beating RI1 by 2 imps, it wasn’t enough to prevent RI1 from clinching the title.

On the other hand, RI2 bounced back from an early 0-20 loss to RI1 to cement their position at third place, having a 19 VP lead over VJC in fourth place before their final head-on match. They could afford to lose 1-19 to VJC and still get third place, but it was not to be: the last set of 8 boards were tough and a slew of errors left them to a punishing 0-20 loss. Despite the good plays and the build-up, RI2 had faltered at the final moment to allow VJC to nick 3rd place away from right under their noses. RI Team 2 Captain Wu Hao Hsuan (15S06C) shares: “It was a really great experience for the team especially for the J1s who will have the opportunity to represent the school again in the Nationals next year. Although RI2 didn’t fare as well as RI1, I think all of us gave our best shot and that’s what really matters. I truly hope that the J1s would treasure this experience and dominate the event next year, bringing back glory to the school.”

RI Team 1 posing with their medals.
RI Team 1 posing with their medals.

All in all, Xue Heng reflects that the journey “wasn’t easy” as “all 3 partnerships in our team had partnership issues at some point or another during this 1.5 years.” Despite that, Raffles Bridge managed to rally together and pull through to emerge victorious, and the last win was “really emotional”. Raffles Press would like to congratulate Raffles Bridge on their victory, and wish them luck for the upcoming tournaments!

Team members:

Team 1: Liu Yuchen (15S06J), Yu Yuxiang (15S06J), Teo Xue Heng (15S06C), Liang Shi Yi (15S06G), Wang Tingxuan (15S06L), Ren Siyu (15S06L).

Team 2: Wu Hao Hsuan (15S06C), Ng Wei Jie (15S03F), Daniel Tan (15S06P), Reuben Foo (15S06L), Cheng Xingyu (16S06M), Shi Jing Lin (16S06J).

Canticum in Natura-lly Good: Vocal Exploits 2015

Reading Time: 6 minutes

By Qiu Kexin (16A13A) and Chew Cheng Yu (16S06L)
Photos courtesy of Mr Toh Ban Sheng, Keane Chua and Raffles Voices

As the smartly dressed performers took their places centre stage, a hush instantly fell over the audience within the newly refurbished space of Victoria Concert Hall. It was thus that the three starring acts for the night – Raffles Chorale, alumni choir Raffles Singers and their Year 1-4 counterpart Raffles Voices – made a sparkling entrance for their annual arts performance Vocal Exploits 2015, immediately filling the hall with comforting, dulcet sighs of one impressive choir overlooking fully-packed turnout.

Held to raise funds for Nepal in the wake of the devastating earthquakes in April, the theme for this year’s concert was Canticum in Natura (Latin for ‘Songs in Nature’). True to its name, the concert showcased a stunning repertoire variously inspired by the beauty and majesty of our natural environment. The theme took on an even deeper throughout the musical extravaganza, as the many songs recalled the joy of appreciating Nature and her vicarious gifts — perhaps an experience made particularly poignant to an audience accustomed to city life in concrete jungles.

The concert started on a high note, opening with Cantate Domino (‘Sing to the Lord’) by Josu Elberdin, which pervaded the atmosphere with pleasant clarity of voices, as the singers passionately produced rousing chants, united as one ensemble.

Following that, in the concert’s first half, the rest of the songs included various works centering around the celebration of the human spirit. I Carry Your Heart with Me (originally a poem by E. E. Cummings) was a gently euphonious song about enduring love, accompanied by sweet felicitous notes played by violinist Carolyn Au (16S03F).

In contrast, Hentakan Jiwa (‘Beat of My Soul’ in Bahasa Indonesia) by Ken Steven was notable for its stirring Indonesian percussionistic rhythm, which Raffles Voices created through clapping and stomping when they took over the stage — evocative of the strength of a beating human heart. In Beati Quorum Via (from Psalm 119:1, Latin for ‘Blessed Are Those Whose Way’), a religious hymn, the choralists blended voices both high and low as well as booming vocals together into one resounding whole.

Those present were able to hear a sundry of different languages throughout the various pieces, some comprehensible to us, some completely foreign – but they had not detracted from the audience’s enjoyment of the plaintive music and instead, as the music went on, they managed to move the audience in their seats simply through the emotional passion of the performers’ elegant voices, communicating in the wordless yet inspiringly universal tongue of music. In particular, there was Stars I Shall Find by David Dickau. With a mellow touch of piano accompaniment and spirited expression, it stood out for its optimistic message of keeping oneself afloat and finding hope amidst adversity.

Raffles Chorale performing in the picturesque setting of Victoria Concert Hall.

After the intermission, the audience saw Raffles Singers, comprising of chorale alumni, taking the stage alongside their juniors for some notable performances. There was a noticeable shift in mood due to the transition, through changes in song choice, to a lighter listening experience – while the atmosphere was still solemn during some pieces, most of the works included were contemporary pieces, which made for a musical style more aurally engaging for younger members of the teeming audience.

The sombre ones – fewer in number this time round – included the notable The Lonesome Road arranged by Simon Carrington, which mixed soulful melodies with contemplative lines about solitude (“Walk down that lonesome road all by yourself / Don’t turn your head back over your shoulder”),  to create a song which was deeply introspective.

In their rendition of Gloria by contemporary South Korean composer Hyo-Won Woo, the performers brought to life the piece’s richly nuanced and unique fusion of Eastern musical influences with a rearranged, but still quintessentially Latin, hymn. Our choir efficaciously recreated the might and regality associated with Latin chorale music – combined with their execution of traditional Korean music tempos which had been incorporated into the song, the performance was nothing short of a rousing crowdpleaser.

La Cucaracha, a Mexican folk song, livened up the whole venue with its light-hearted and jovial tunes. Pervaded by the catchy repetitions of ‘ba dum da’ that compelled one to dance along with the rhythm, it ended with a loud, enthusiastic shout of “Olé!” which cracked up many in the audience.

Pamugun, from one of the Philippines’ most prominent composers Francisco Feliciano, was unfolded to the expectant listeners by Raffles Singers. It was a challenging piece better suited for the more seasoned alumni; the song (which told the story of a desperate hunter chasing a bird) tested the waters of typical concert fare, not just because of its rapid-speed rhythm which demanded much vocal agility, but also for a few surprises throughout the song, such as a loud, unexpected shriek halfway which shocked the audience. In all, it was one of the more outstanding performances, demonstrating the mastery of our alumni choristers and rounding off the concert well with a delightful dose of what was unusual.

The next piece brought in several new instruments, such as a cymbal, a bass drum, handbells, and many more curious musical implements. Cloudburst by Eric Whitacre — about the breathtaking wonders of nature big and small — was an intriguing piece: snapping fingers became raindrops, a thunder sheet with the bass drum became thunder; the song slowly built a storm to its crescendo, before leaving the sounds to ebb away gradually. With a slight dream-like quality with the ringing of handbells, the audience was entranced by the thunderstorm that grew in the hall, into a storm which received thunderous applause at the end – truly well-deserved in our opinion, considering the song had been one of the most challenging of the lot to choralist Adrian Wang (16A13A), since it had been “substantially long” while necessitating the seamless “weaving together of voices and several instruments”.

Last but not least, the chorale groups concluded the concert by singing the Institution Anthem upon requests for an encore, as per Chorale’s tradition. There was an invitation extended to all Rafflesians present to join in with them – which they did, boldly singing together in what was a joyous and stirring rendition of the Anthem.

All attention is on the performers, as they conclude their song.

Looking back on the eventful night, the first thing one could have praised Raffles Chorale would have been, right off the bat, their ability to work with all the chosen songs from dissimilar composers or artists, and yet still present a coherent and unified theme of celebrating our world overall. The result was a smooth show that had been enjoyable for both the viewers as well as the performers. No less impressively, their performance that night showed no signs of sloppiness or disorganisation despite being prepared within just a few months – the chorale members were all deeply engaged in their own performances, swaying along to the music as they sang. The solo performances were similarly impressive; they supplemented character and depth to the song with much enthusiasm. No wonder it had been enjoyable to such a degree for the performers then, as Adrian Wang also revealed that the chorale groups had found “performing in the Victoria Concert Hall for the first time a highly breathtaking experience.”

Having said that, another area that had impressed was definitely the choice of so many — up till then — oft-unheard pieces hailing from a diversity of cultures around the globe. The general consensus was that the repertoire had achieved an enlightening and eye-opening showcase of music which could have largely gone unnoticed by the average music-lover otherwise. The unique and slightly quirky setlist had come about because “Chorale wouldn’t be performing for the Singapore Youth Festival this year,” recalled Mr Toh Ban Sheng, director of Canticum in Natura. “We had more freedom in choosing our repertoire, so [we took] the opportunity to perform long works with various instruments.”

For seasoned music aficionados, the originality of some notable pieces – manifest in the recreation of nature’s sounds in Cloudburst, and the seamless, yet whimsical alternation between fast-paced bars and slow cries of Pamugun – would have delighted. There had been no lack of thrills for the casual listener there either: the songs had taken the audience on an emotional roller-coaster, riding from the high of sprightly jingles, to the sobering melancholy of some sad ballads.

And as for the average student there, there had certainly been some pieces with timbres mostly unfamiliar to them in this day and age (austere works such as Gloria or Beati Quorum via). Still, in the bigger picture, that mattered little because at its core, the whole affair in Victoria Concert Hall had been a sincere performance with the best mix of chosen pieces, marked by the choirs’ emotional conveyance of the human heart and soul through the sheer will of voice alone.

Setlist

  • Cantate Domino by Josu Elberdin
  • Stars I Shall Find by David Dickau
  • The New Moon by Ēriks Ešenvalds
  • Sonnet 43 by Kelly Tang
  • Hentakan Jiwa (World Premiere) by Ken Steven
  • If May I Fall In Love Again (World Premiere) by John Pamintuan
  • I Carry Your Heart with Me by Randall Stroope
  • Cantico de Celebración by Leo Brouwer
  • Beati quorum via by Charles Villiers Stanford
  • Gloria by Hyo-won Woo
  • That Lonesome Road by James Taylor, arranged by Simon Carrington
  • Contrapunto bestiale alla mente by Adriano Banchieri
  • La Cucaracha arranged by Robert Sund
  • Yver, vous n’estes qu’un villain by Claude Debussy
  • Pamugun by Francisco Feliciano
  • Cloudburst by Eric Whitacre
  • Let the River Run arranged by Craig Hella Johnson