By Joellene Yap (19S07A)
This article was written in collaboration with Film Society.
Released in 2004, The Incredibles is considered the second hit superhero movie of the 21st century. It came out only 2 years after Spider-Man — the first in the Tobey Maguire trilogy — and right at the birth of the superhero genre. Its themes are common to the genre, but are framed in a unique way, one that remains singular even amidst the past 10 years of the Marvel Cinematic Universe (and the past 7 years of the DCEU….haha).
Continue reading “The Incredible Potential of the Superhero Genre”
By Aaron Tan (19A01B)
It was at South by Southwest 2017, one of the largest annual conglomerates of film, interactive media, and music conferences in the world, that cinematic legend Steven Spielberg stepped onstage to debut his latest feature: Ready Player One.
The sci-fi CG bonanza, based on the titular New York Times bestseller by Ernest Cline, was one of the most anticipated movies of the year, not least by pop-culture aficionados all around the globe. It promised to be a rollicking adventure through virtual reality, with one single, central goal — to entertain.
“This is not a film that we’ve made,” Spielberg quipped to the sold-out audience of the Paramount Theatre. “This is — I promise you — a movie.”
Continue reading “Ready Player One – Is Entertainment Enough?”
By Keziah Lam (19A01B) and Alyssa Marie Loo (19A13A)
Even if you have yet to watch the film, it is difficult not to know about Black Panther given how its success has flooded mainstream media. You are probably familiar with headlines like “Black Panther brings Afrofuturism into the mainstream”; “Why ‘Black Panther’ became the hero the world needs now”; or “Why ‘Black Panther’ May Be Marvel’s Best Movie Yet”. The film’s impact stems not only from it being an objectively good superhero movie, but also from how its progressive, Afro-centric setting shows perspectives highly relevant to contemporary issues of racial discrimination. Amidst all the adoration of Black Panther’s fictional and reclusive country of Wakanda, here’s what we imagine life in the high-tech, prosperous and isolationist country would be like.
Continue reading “Imagining the World of Black Panther: Wakanda Life is That?”
By Soh Ying Qi (18A01C)
Spoiler alert: you already know what happens in this film.
Not because it looks like standard Hollywood period-drama fare, comprising an ensemble cast led by established stars, a screenplay peppered with references to “the First Amendment right to free speech” and “Based on a true story” tacked onto the end of its trailer. But if I told you that in 1971 The New York Times and The Washington Post were sued in the Supreme Court of the United States for publishing a set of politically sensitive documents, you’d know the outcome of the trial before ever picking up a single history book.
Continue reading ““The Post” Review: Papers and Politics in a Post-Truth World”
By Choi Hoe Chang (18S07A)
There is no doubt that Thor: Ragnarok is a ton of fun.
Director Taika Waititi married his eccentric energy with Marvel’s house style, enabling the “Marvel Formula” – filmmaking and storytelling style that puts emphasis on lightheartedness and spectacle – to still stand despite the fact that this movie is the 17th installation in the Marvel Cinematic Universe.
Continue reading “Thor: Ragnarok – Adapting Ancient Mythology in the 21st Century”